{"id":1375,"date":"2019-09-28T10:36:17","date_gmt":"2019-09-28T10:36:17","guid":{"rendered":"http:\/\/adishakti.crossroad-solutions.com\/?page_id=1375"},"modified":"2022-05-27T09:09:14","modified_gmt":"2022-05-27T09:09:14","slug":"rozencrantz-and-guildenstern-are-dead-1983","status":"publish","type":"page","link":"https:\/\/adishaktitheatrearts.com\/productions\/rozencrantz-and-guildenstern-are-dead-1983\/","title":{"rendered":"Rozencrantz And Guildenstern Are Dead"},"content":{"rendered":"\t\t
Here theatre itself became a brilliantly sustainable metaphor for life; the viagra for sale in usa problems of identity, and ambiguity, uncertainity and death. Tom stoppard\u2019s play itself derives from a most original inspiration: a feeling of compassion for those two characters in Shakespeare\u2019s tradegy, Rosencrantz and Guildenstern and who knows which is which, friends of Hamlet\u2019s youth who are made pawns in the game of royal intrigue and consigned to their deaths. The characters of the play are made to understand the concerns very well and speak with all the lucidity that a Stoppard\u2019s double entendre requires.<\/span><\/p> \u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Cast and Credits<\/strong><\/p> Cast:<\/strong> Aditya Bhattacharya, Shiv Kumar, Kenneth Desai, Naseerudhin Shan, Vinesh Gandhi, NanditaThakur, Mihir Thaker, Leela Gandhi Having performed at various festivals, conferences and workshops, we cater to different\u00a0audiences who would like to enjoy and explore modern Indian theatre. Our performances\u00a0are enjoyed by audiences across all age groups.<\/p> To know more about the productions currently available for performance booking, please\u00a0contact us.<\/p>Get in Touch<\/a>\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":" Here theatre itself became a brilliantly sustainable metaphor for life; the levitra tablets australia problems of identity, and ambiguity, uncertainity and death.<\/p>\n","protected":false},"author":1,"featured_media":835,"parent":12,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"template_parts\/page-fullwidth_template.php","meta":{"pgc_meta":"","footnotes":""},"categories":[9],"tags":[],"pgc_meta":"","_links":{"self":[{"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/pages\/1375"}],"collection":[{"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/comments?post=1375"}],"version-history":[{"count":9,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/pages\/1375\/revisions"}],"predecessor-version":[{"id":1966,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/pages\/1375\/revisions\/1966"}],"up":[{"embeddable":true,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/pages\/12"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/media\/835"}],"wp:attachment":[{"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/media?parent=1375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/categories?post=1375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/adishaktitheatrearts.com\/wp-json\/wp\/v2\/tags?post=1375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Costumes:<\/strong> Indira Dayal
Direction:<\/strong> Veenapani Chawla<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\tBook Us<\/h2>