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Laboratory For Theatre Art Research

Our Productions

Adishakti productions vividly bring together dance, movement and emotional craft, integrated into overnight delivery viagra one performance language. They overnight delivery viagra are all the result of intensive research into traditional arts and their reinterpretation with a contemporary aesthetic. After starting with pre-written scripts, Adishakti has been generating its own material, applying research to levitra perscription forge a hybrid, contemporary culture.

Bali

Adishakti’s Bali is a retelling of the various events that lead up to the battle between Bali and Ram, the King of Ayodhya.

Nidravathwam

Kumbakarna and Lakshmana, are connected by boons levitra perscription that dramatically alter their cycles of sleep and wakefulness.

Ganapati

Ganapati is an interpretation of the cheap generic viagra india birth stories related to the myths of Ganapati, the elephant headed god from the Puranic cycle and Martanda, from the Vedic cycle.

Brhannala

Brhannala draws on the episode in the Mahabharata in which the exiled hero buy levitra generic Arjuna spends one cheap generic viagra india year in the guise of a woman.

Impressions of Bhima

The heroic status of Bhima depends largely on buy levitra generic his physical prowess. Impressions of Bhima is a deconstruction of viagra 100mg this hero.

The Tenth Head

In The Tenth Head, the ten heads of Ravana become a metaphor for the tension that exists between the individual and the collective.

The Hare And The Tortoise

Adishakti’s The Hare and the Tortoise is a dramatic meditation on the ethical possibilities inherent in viagra 100mg the notion of contemporaneity.

The Trojan Woman

One of the early experiments with finding new expressions to cialis gel the text, Veenapani has explored the dance form Mayurbanj chau from Odisha to cialis gel find bodily expression for text.

A Greater Dawn

In this adaptation of Sri Aurobindo’s Savitri, Veenapani explores the epic struggle between Savitri and Death, in which she asks for, and eventually gets, the life of her husband Satyavan.

Rhinoceros

The inhabitants of a town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness.

Rozencrantz And Guildenstern Are Dead

Here theatre itself became a brilliantly sustainable metaphor for life; the problems of identity, and ambiguity, uncertainity and death.

Oedipus

The first play by Veenapani, Sophocles’ Oedipus marks the beginning of her entry into theatre direction.

Bhoomi

Adishakti's production 'Bhoomi' feels like a play. And it's a play within: It enamours you, courts you, takes you out on a date into the archetypal Puranas which we have been reinterpreting since ages. To see the not-so-good, the unfair; to hear the cries that have been buried in glorious texts.

Bali

Adishakti’s Bali is a retelling of the various events that lead up to the battle between Bali and Ram, the King of Ayodhya.

Nidravathwam

Kumbakarna and Lakshmana, are connected by boons that dramatically alter their cycles of sleep and wakefulness.

Ganapati

Ganapati is an interpretation of the birth stories related to the myths of Ganapati, the elephant headed god from the Puranic cycle and Martanda, from the Vedic cycle.

Brhannala

Brhannala draws on the episode in the Mahabharata in which the exiled hero Arjuna spends one year in the guise of a woman.

Impressions of Bhima

The heroic status of Bhima depends largely on his physical prowess. Impressions of Bhima is a deconstruction of this hero.

The Tenth Head

In The Tenth Head, the ten heads of Ravana become a metaphor for the tension that exists between the individual and the collective.

The Hare And The Tortoise

Adishakti’s The Hare and the Tortoise is a dramatic meditation on the ethical possibilities inherent in the notion of contemporaneity.

The Trojan Woman

One of the early experiments with finding new expressions to the text, Veenapani has explored the dance form Mayurbanj chau from Odisha to find bodily expression for text.

A Greater Dawn

In this adaptation of Sri Aurobindo’s Savitri, Veenapani explores the epic struggle between Savitri and Death, in which she asks for, and eventually gets, the life of her husband Satyavan.

Rhinoceros

The inhabitants of a town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness.

Rozencrantz And Guildenstern Are Dead

Here theatre itself became a brilliantly sustainable metaphor for life; the problems of identity, and ambiguity, uncertainity and death.

Oedipus

The first play by Veenapani, Sophocles’ Oedipus marks the beginning of her entry into theatre direction.

Bhoomi

Adishakti's production 'Bhoomi' feels like a play. And it's a play within: It enamours you, courts you, takes you out on a date into the archetypal Puranas which we have been reinterpreting since ages. To see the not-so-good, the unfair; to hear the cries that have been buried in glorious texts.

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